Neue Frutiger World offers a better solution.” In addition to Neue Frutiger World’s linguistic versatility, it works hard across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments. “They may find a type with closer expression, but there was no guarantee if the bold version in the non-Latin family matches the bold in their Latin. The Frutiger font includes 19 typefaces and has vast language support. Linotype font foundry releases this beautiful font for the first time. “Before Neue Frutiger World it was not an easy task for western brands to find families in Arabic, Hebrew, Thai and Vietnamese which match with their Latin,” says Monotype type director Akira Kobayashi, who led the Neue Frutiger World project. Geometric, Humanist, Sans Serif, Typeface Frutiger Font Family Free Download Frutiger font is one of the best font designed by Adrian Frutiger in 1985. Neue Frutiger World supports more than 150 languages and scripts including Latin, Greek, Cyrillic, Georgian, Armenian, Hebrew, Arabic, Thai and Vietnamese. It embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. See also the new revised version Frutiger Next from the Linotype Platinum Collection.Neue Frutiger World is designed for global use with an impressive range of 10 weights, from Ultra Light to Extra Black, with matching italics. Another 14 Cyrillic companion fonts are available as well. The family has 14 weights and 14 companion fonts with Central European characters and accents. Although it was originally intended for the large scale of an airport, the full family has a warmth and subtlety that have, in recent years, made it popular for the smaller scale of body text in magazines and booklets. Such distinctness makes it good for signage and display work. The Frutiger™ family is neither strictly geometric nor humanistic in construction its forms are designed so that each individual character is quickly and easily recognized. Stempel AG in conjunction with Linotype, and it was named Frutiger. In 1976, he expanded and completed the family for D. The resulting font was in accord with the modern architecture of the airport. Though everyone thought he would want to use his successful Univers font family, Frutiger decided instead to make a new sans serif typeface that would be suitable for the specific legibility requirements of airport signage: easy recognition from the distances and angles of driving and walking. In 1968, Adrian Frutiger was commissioned to develop a sign and directional system for the new Charles de Gaulle Airport in Paris.
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